5 Times Tamannaah Bhatia Turned Heads with her Ethnic Wears
There was never a moment when we didn’t look to Tamannaah Bhatia for cultural design ideas throughout the festival season. She has provided us with several memorable design occasions in gorgeous attires, glistening shararas, and heavenly draperies, to mention a few. A girl could wish, correct? We can only hope to have exotic clothing as stunning as hers. We turn to a few of our top ensembles by Tamannaah Bhatia for celebrity style advice for these busiest hours and numerous others to come.
5 Best Ethnic Looks By Tamannaah Bhatia:
1. Candyland Dream
Tamannaah Bhatia looked amazing in a turquoise gradient Falguni Shane Peacock ensemble. The heavily embellished lehenga has golden embroidery all over it and was paired with the hottest cutaway top in fashion. Her diamond chain necklace, gentle gloss makeup, and wedding lehenga went together well.
2. Only Class
As Tamannaah Bhatia appeared wearing a gorgeous all-black pre-draped saree, she undoubtedly caught everyone’s attention. The starlet wore a complex, embroidered saree with a bustier shirt and a pallu that resembled a shroud. Tamannaah had luscious lips, sculpted cheekbones, and glittering eye makeup.
3. Red Hot!
Tamannaah Bhatia offered traditional clothing a modern spin by wearing a vivid red saree with large flower designs in opposing turquoise hues. The starlet paired the design company Payal Khandwala folded saree with a straightforward red strapless top with a fitted bodice.
4. Crazy Heels
Once Tamannaah Bhatia toured Melbourne, she dazzled on the red carpet in a lush greenery Tarun Tahiliani saree. The cutaway top in the exact hue maintained her rooted despite the monotone saree’s breathability in the Australian breeze. She completed her outfit well with her untidy bun.
5. Drama Only
Tamannaah paired her striking jacquard top with the saree to create a stunning look. Her outfit was complete with the introduction of the gold drawstring. Her understated makeup complemented the gold saree brilliantly.
